C O N C L U D I N G THOUGHTS 
CONCLUDING THOUGHTS 
Man l i v e s i n s p a c e . He m a n i p u l a t e s s p a c e . He c r e a t e s a r c h i t e c t u r e 
a n d i n t u r n a r c h i t e c t u r e ' c r e a t e s ' h i m . I t f a i t h f u l l y m i r r o r s h i s 
j o u r n e y t h r o u g h t i m e a c r o s s t h e r u g g e d m o u n t a i n s o f l i f e . 
A r c h i t e c t u r e i s l i f e ! T h e y a r e p a r t a n d p a r c e l o f t h e s a m e e n t i t y : 
same a t e v e r y l e v e l , e v e r y s i t u a t i o n . . . . T h i s v i e w i s s t r e n g t h e n e d 
b y B u d d h i s t t h i n k i n g , w h i c h d e n i e s t h e a p p a r e n t s e p a r a t i o n o f t h e 
i n d i v i d u a l a n d t h e u n i v e r s e . A s s u c h t h e a s s u m p t i o n made a t t h e 
o n s e t o f t h e s t u d y : t o r e g a r d a r c h i t e c t u r e a n d man a s s e p a r a t e , 
n o n - h o m o g e n e o u s e n t i t i e s may b e q u e s t i o n e d . H o w e v e r t h e v a l i d i t y 
o f t h e a s s u m p t i o n r e s t s o n i t s a b i l i t y t o f a c i l i t a t e t h e i n t e n t i o n s 
o f t h e s t u d y a t t h e i n i t i a l s t a g e s . 
E n d u r i n g a r c h i t e c t u r e i s n o t a ' k i n d ' o f a r c h i t e c t u r e , a s , " t h e r e 
a r e n o t d i f f e r e n t k i n d s o f a r c h i t e c t u r e , b u t o n l y d i f f e r e n t 
s i t u a t i o n s w h i c h r e q u i r e d i f f e r e n t s o l u t i o n s i n o r d e r t o s a t i s f y 
m a n ' s p h y s i c a l a n d p s y c h i c n e e d s " . 1 I d e a l l y m a n ' s p s y c h i c n e e d s 
s h o u l d t a k e p r e c e d e n c e o v e r h i s m o r e m u n d a n e p h y s i c a l n e e d s . 
A r c h i t e c t u r e n e e d s man a n d man n e e d s a r c h i t e c t u r e . S i n c e a n c i e n t 
t i m e s i t i s a r c h i t e c t u r e t h a t h a s b e s t e x e m p l i f i e d m a n ' s s t r a i n i n g 
t o w a r d s i m m o r t a l i t y - t o w a r d s e n d u r a n c e . S u c h a n e e d p r e s u p p o s e s 
c o n d i t i o n s f o r m e a n i n g f u l e x i s t e n c e : m e a n i n g f u l i n r e l a t i o n t o 
m a n ' s p s y c h i c n e e d s . A r c h i t e c t u r e w h i c h f a c i l i t a t e s a m e a n i n g f u l 
e x i s t e n c e i n man p o s s e s s e s t h e i n h e r e n t v i g o u r t o e n d u r e t h e 
r a v a g e s o f t i m e a n d m a n , a c r o s s t h e w o r l d . 
T h e ' e n d u r i n g b o n d ' f o r m s t h e c u l m i n a t i o n o f t h e c o n c e p t o f 
' e n d u r i n g a r c h i t e c t u r e ' . T h e b o n d , a s u b l i m e m a n i f e s t a t i o n o f t h e 
r e l a t i o n s h i p b e t w e e n man a n d h i s b u i l t - e n v i r o n m e n t , e c h o e s t h e 
p r i m o r d i a l t r u t h : t h e r e l a t i o n s h i p o f s p i r i t a n d m a t t e r . 
78 
T h e enduring bond s u r p a s s e s t h e i n e s s e n t i a l i n t r i c a c i e s o f 
a r c h i t e c t u r e and man, w h i l e t r a n s c e n d i n g t h e p h y s i c a l i m p e r m a n a n c e s 
i m p o s e d b y t i m e . T h e b o n d d i s c u s s e d e a r l i e r , p r o v i d e s t h e b a s i c 
f r a m e w o r k w i t h i n w h i c h a r c h i t e c t u r e may b e u n d e r s t o o d a n d 
e x p e r i e n c e d . Man i n t u n e w i t h h i s own t e m p e r a m e n t , c u l t u r a l 
c o n d i t i o n i n g , a g e , e d u c a t i o n a n d s o o n may a d d h i s own 
i n t e r p r e t a t i o n : t h u s k e e p i n g a l i v e i t s u n i q u e t i m e l e s s q u a l i t y . 
T h e c o r e o f t h e a r g u m e n t o f t h e s t u d y c a n b e s i m p l i f i e d i n 
T a r g o r e ' s w o r d s , 
t h o s e o f t h e a u d i e n c e who a r e 
a p p r e c i a t i v e , a r e c o n t e n t t o p e r f e c t t h e 
s o n g i n t h e i r own m i n d b y t h e f o r c e o f 
t h e i r own f e e l i n g . " ' 
L a s t l y i t s h o u l d b e s a i d t h a t , t h o u g h n o t c l a i m i n g t o b e e x h a u s t i v e 
t h i s s t u d y h o p e s t o c r e a t e a n a w a r e n e s s i n t h e m i n d s o f t h e r e a d e r 
a s t o t h e d i r e n e c e s s i t y t o u n d e r s t a n d man i n t h e r e a l m o f 
a r c h i t e c t u r e , t o c r e a t e s t a b l e , e m o t i o n a l l y n o u r i s h i n g , ' e n d u r i n g ' 
b u i l t - e n v i r o n m e n t s . 
T h e r e a r e n o a l l - e m b r a c i n g c o n c l u s i o n s . A r c h i t e c t u r e b y i t s v e r y 
n a t u r e , c a l l s f o r a c e r t a i n amount o f s u b j e c t i v i t y i n u n d e r s t a n d i n g 
and e x p e r i e n c i n g i t . I t i s t h i s e n i g m a t i c q u a l i t y w h i c h a l l o w s f o r 
p e r s o n a l p o i n t s o f v i e w s . T h i s s t u d y i s i n d e e d a s p e c u l a t i v e ' t h i n k 
p i e c e ' a l l o w i n g f o r , w i t h i n a b a s i c f r a m e w o r k , a r e a d e r ' s p e r s o n a l 
i n t e r p r e t a t i o n t o o . 
7 9 
NOTES AND REFERENCES 
80 
INTRODUCTION 
1 . W e b s t e r ' s d i c t i o n a r y , d e f i n e s t i m e a s * t h e p e r i o d b e t w e e n t w o 
e v e n t s d u r i n g w h i c h s o m e t h i n g e x i s t s , h a p p e n s o r a c t s ; 
m e a s u r e d o r m e a s u r a b l e i n t e r v a l " . The c o n c e p t o f t i m e i s 
d i s c u s s b r i e f l y u n d e r " T i m e " i n c h a p t e r o n e . 
2 . R o b e r t A t k i n s o n , F o r e w o r d t o , The Principles of Architectural 
composition b y H. R o b e r t s o n 
3 . A l e x a n d e r C , Timeless Way of building, p . 3 5 7 
4 . R o b e r t s o n H . , The Principles of Architectural composition, 
p . 2 
5 . ' U n i v e r s a l ' man i s d e f i n e d a n d d i s c u s s e d i n C h a p t e r Two 
6 . R o b e r t A t k i n s o n , F o r e w o r d t o . The Principles of 
Architectural composition, b y H. R o b e r t s o n 
7 . F o r m i n a r c h i t e c t u r e i s v i e w e d i n d i f f e r e n t w a y s . I t may b e 
l o o k e d a t a s a p h y s i c a l e n t i t y , m e t a p h y s i c a l e n t i t y , o r a s 
' d i v i n e ' f o r m e t c . F o r t h e p u r p o s e o f t h e s t u d y i t i s 
c o n s i d e r e d i n t h e l i g h t o f i t s p h y s i c a l a s p e c t . A v e r y 
b r i e f c o m m e n t o n f o r m i s made u n d e r - S c o p e a n d 
l i m i t a t i o n s . 
8 . A l e x a n d e r C , The Timeless Way of Building, p . x v 
8 1 
CHAPTER ONE 
1 . E n c y c l o p a e d i a B r i t a n n i c a , v o l . 1 , p . 1 6 
2 . L a n g e r S . , Feeling and Form, P . 3 7 3 
3 . I t i s t h e artifact t h a t c o m m u n i c a t e s a n d a r t i s b o r n w i t h i n 
t h e b e h o l d e r . I n t h e c o n t e x t o f t h e s t u d y , t h e w o r d art 
i s u s e d t o i m p l y t h e p r o p e r t i e s o f t h e artifact. 
4 . H e r e a r t i s v i e w e d w i t h i n a b r o a d e r f r a m e w o r k , w h e r e i t s 
' m a n n e r ' o f c o m m u n i c a t i o n i s d i s c u s s e d a s a g a i n s t i t s 
s u b s t a n c e w h i c h i s d e e m e d u n i v e r s a l . 
5 . L a n g e r S . , Feeling and Form, p . 3 8 9 
6 . E n c y c l o p a e d i a B r i t a n n i c a , v o l . 1 , p . 1 4 
7 B u d d h i s t , H i n d u , G r e e k , C h r i s t i a n , a n d I s l a m i c ' t h i n k e r s ' h a v e 
p h i l o s o p h i s e d s u c h c o n c e p t s . A d i s c u s s i o n o f w h i c h c a n b e 
f o u n d i n , Time and Eternity b y A n a n d a C o o m a r s w a m y . 
8 . H e i d e g g e r M . , The Metaphysical Foundations of Logic, p . 1 4 1 
9 . D r e y f u s H. & H a l l H . , ( e d . ) , Heidegger: A critical reader, p.133 
1 0 . N o r b e r g - S c h u l z C , Genius Loci, p . 1 6 6 
1 1 . H e i d e g g e r a s q u o t e d b y N o r b e r g - S c h u l z , i n Genius Loci, p . 6 
12 . N o r b e r g - S c h u l z C , Genius Loci, p . 5 
1 3 . D r e y f u s H. & H a l l H . , ( e d . ) , Heidegger: A critical reader, p . 9 
1 4 . i b i d , p . 9 
1 5 . H e i d e g g e r a s q u o t e d b y N o r b e r g - S c h u l z i n , E x i s t e n c e Space 
and Architecture, p . 1 6 
1 6 . H e i d e g g e r , Poetry, Language, Thought, p . 1 4 5 
1 7 . i b i d , p . 1 4 8 
1 8 . N o r b e r g - S c h u l z C , Genius Loci, p . 6 
1 9 . R e l p h E . , Place and Placelessness, p . 3 2 
2 0 . . i b i d , p . 3 2 
2 1 . i b i d , p.33 
2 2 . T u a n ? . , Space and Place, p . 1 8 6 
2 3 . R e l p h E . , Place and Placelessness, p . 3 1 
8 2 
CHAPTER TWO 
I . D r e y f u s H. & H a l l H . ( e d . ) , Heidegger:A critical reader, p . 8 7 
2 . G u i t o n J . , Ideas of Le Corbusier, p . 1 9 
3 . O a k l e y D . , Phenomenon of Architecture of Cultures in change,p.19 
4 . i b i d , p . 1 9 
5 . L e C o r b u s i e r , The City of Tomorrow, p . 2 3 
6 . O a k l e y D . , Phenomenon of Architecture of Cultures in change, 
p . 1 4 0 
7 . i b i d , p . 1 9 1 
8 . M e a d M . , Cultural Patterns and Technical changes, 
9 . E x p r e s s e d b y a f a m o u s J a p a n e s e h a i k u , a s q u o t e d b y G o l d s t e i n 
i n Experience of Insight, p . 2 0 
1 0 . G o l d s t e i n , E x p e r i e n c e of Insight, p . 2 2 
1 1 . Day C , Places of the Soul, p . 47 
1 2 . J u n g C , F o u r Archetypes, p . 3 
1 3 . . i b i d , p . x v i 
1 4 . C o o p e r C , " H o u s e a s a s y m b o l o f s e l f " , i n Designing for Human 
Behaviour, b y J o n L a n g , p . 1 3 2 
1 5 . T u a n F . , Space and Place, p . 5 
1 6 . N o r b e r g - S c h u l z C , Genius Loci, p . 17 
1 7 . C o o p e r C , " H o u s e a s a s y m b o l o f s e l f " , i n Designing for Human 
Behaviour, b y J o n L a n g , p . 1 3 1 
18 . N o r b e r g - S c h u l z C , G e n i u s Loci, p . 5 
1 9 . B o d h i n a y a k e N . , a r t i c l e o n " S y m b o l i s m " , i n The Sri Lanka 
Architect, p . 3 2 
2 0 . 1 . e t h a b y W . R . , Architecture Nature and Magic, p . 65 
2 1 . N o r b e r g - S c h u l z C , E x i s t e n c e Space and Architecture, p . 1 0 
2 2 . L a n g J . , " T h e o r i e s o f P e r c e p t i o n a n d ' F o r m a l ' D e s i g n " , i n 
D e s i g n i n g for Human Behaviour, b y J o n L a n g , p . 9 9 
2 3 . i b i d , p . 1 0 3 
2 4 . A s q u o t e d b y N o r b e r g - S c h u l z i n E x i s t e n c e Space and Architecture, 
P . 7 
2 5 . A v e r y B . , a r t i c l e o n , " P h y s i o l o g i c a l B e a u t y " , i n The 
Architectural Review, p . 7 5 
8 3 
26.The g o l d e n s e c t i o n c a n b e d e f i n e d g e o m e t r i c a l l y a s a l i n e t h a t 
i s d i v i d e d s o t h a t t h e l e s s e r p o r t i o n i s t o t h e g r e a t e r a s 
t h e g r e a t e r i s t o t h e w h o l e . 
2 7 . A v e r y B . , a r t i c l e o n , " P h y s i o l o g i c a l B e a u t y " , i n The 
Architectural Review, p . 7 6 
2 8 . C h i n g F . , Architecture:Form, Space and Order, p . 5 4 
2 9 . A s g u o t e d b y C h i n g i n Architecture:Form, Space and Order, p . 5 8 
3 0 . A v e r y B . , a r t i c l e o n , " P h y s i o l o g i c a l B e a u t y " , i n The 
Architectural Review, p . 7 5 
3 1 . T u a n F . , Space and Place, p . 3 7 
3 2 . B a c h e l a r d B . , Poetics of Space, p . 1 7 
3 3 . N o r b e r g - S c h u l z C , Existence Space and Architecture, p . 3 1 
3 4 . T u a n F . , Space and Place, p . 4 0 
3 5 . i b i d , p . 4 3 
3 6 . i b i d , p . 4 1 
3 7 . G u . i t o n J . , The Ideas of Le Corbusier, p . 1 8 
3 8 . D a y C , Places of the Soul, p . 7 4 
3 9 . C h i n g F . , Architecture:Form, Space and Order, p . 3 0 0 
4 0 . i b i d , p . 3 0 0 
84 
CHAPTER THREE 
1 . N o r b e r g - S c h u l z C , Existence Space and Architecture, p . 18 
2 . i b i d , p . 1 9 
3 . N o r b e r g - S c h u l z C , Genius Loci, p . 52 
4 . Day C , Places of the Soul, p . 2 8 
5 . N o r b e r g - S c h u l z C , Genius Loci, p . 72 
6 . i b i d , p . 7 3 
7 . i b i d , p . 4 6 
O . D a y C , Places of the Soul, p . 63 
9 . A s q u o t e d b y B a c h e l a r d i n , Poetics of Space, p . 3 9 
10 . N o r b e r g - S c h u l z C , Genius Loci, p . 3 6 
1 1 . i b i d , p . 5 1 
1 2 . i b i d , p . 3 1 
1 3 . T u a n F . , Space and Place, p . 
> 14 . N o r b e r g - S c h u l z C , Existence Space and Architecture, p . 1 9 
1 5 . i b i d , p . 1 8 
1 6 . B a c h e l a r d G . , Poetics of Space, p . 4 
17 . N o r b e r g - S c h u l z C , E x i s t e n c e Space and Architecture, p . 2 1 
1 8 . B a c h e l a r d G . , Poetics of Space, p . 3 
1 9 . N o r b e r g - S c h u l z C , Existence Space and Architecture, p . 2 3 
2 0 . i b i d , p . 2 3 
?A . . i b i d , p . 2 4 
8 5 
CHAPTER FOUR 
I . D a y C , Places of the Soul, p . 1 3 5 
2 . From t h i s p o i n t o n w a r d s t h e w o r d 'man' i s u s e d t o i m p l y a n 
a m a l g a m a t i o n o f t h e c o n c e p t o f u n i v e r s a l a n d c u l t u r a l m a n . 
3 . A l e x a n d e r C , The Timeless Way of Building, p . x v 
4 . i b i d , p . 1 0 5 
5 . O a k l e y D . , Phenomenon of Architecture of cultures in change,p. 
6 . A l e x a n d e r C , The Timeless Way of Building, p . 5 3 5 
7 . i b i d , p . 1 5 3 
8 . i b i d , p . 3 7 
9 . Day C , Places of the Soul, p . 2 4 
T 
8 6 
> 
r 
CONCLUDING THOUGHTS 
1 . N o r b e r g - S c h u l z C , Genius Loci, p . 5 
87 
BIBLIOGRAPHY 
A l e x a n d e r C h r i s t o p h e r , The Timeless Way of Building, O x f o r d 
U n i v e r s i t y P r e s s , USA, ( 1 9 7 9 ) 
B a c h e l a r d G a s t o n , ( T r a n s . By M a r i a J o l a s ) , The Poetics of 
Space, B e a c o n P r e s s , USA, ( 1 9 7 7 ) 
B e n t l e y I a n , e t a l . , Responsive Environments, T h e 
A r c h i t e c t u r a l P r e s s , UK, ( 1 9 8 5 ) 
B e n t o n T i m a n d C h a r l o t t e , Form and Function, G r a n a d a 
P u b l i s h i n g L t d . , ( 1 9 7 5 ) 
C h i n g F r a n c i s D . K . , Architecture: Form Space and Order, Van 
N o s t r a n d C o m p a n y , USA, ( 1 9 7 9) 
C o o m a r a s w a m y A n a n d a , Sources of Wisdom, M i n i s t r y o f C u l t u r a l 
A f f a i r s , S r i L a n k a , ( 1 9 8 1 ) 
C o o m a r a s w a m y A n a n d a , The Dance of Shiva, M u n s h i r a m 
M a n o h a r l a l P u b l i s h e r s , I n d i a , ( 1 9 9 1 ) 
C o o m a r a s w a m y A n a n d a , Time and Eternity, M u n s h i r a m 
M a n o h a r l a l P u b l i s h e r s , I n d i a , ( 1 9 9 1 ) 
C o o m a r a s w a m y A n a n d a , Fundamentals of Indian Art, The 
H i s t o r i c a l R e s e a r c h D o c u m e n t a t i o n P r o g r a m m e , I n d i a , 
( 1 9 8 5 ) 
C o o m a r a s w a m y A n a n d a , Vishvakarma, M u n s h i r a m M a n o h a r l a l 
P u b l i s h e r s , I n d i a , ( 1 9 7 8 ) 
D a y C h r i s t o p h e r , Places of the Soul, A g u a r i a n P r e s s , UK, 
( 1 9 9 0 ) 
D r e y f u s H u b e r t & H a l l H a r r i s o n , ( e d . ) , Heidegger: A critical 
r e a d e r , B l a c k w e l l , UK, ( 1 9 9 2 ) 
E l i a d e M i r c e a , The Myth of the Eternal Return, P e n g u i n Qxxp, 
UK, ( 1 9 8 9 ) 
F a r m e r Ben & Loaw H . , ( e d . ) , Companion to Contemporary 
Architectural Thought, R o u t l e d g e , UK, ( 1 9 9 3 ) 
F e r n a n d o N i h a l , The Wild, the Free, the Beautiful, S t u d i o 
T i m e s , ( 1 9 8 6 ) 
F e r n a n d o R a n j i t h , ( e d . ) , The Unanimous Tradition, S r i Lanka 
I n s t i t u t e o f T r a d i t i o n a l S t u d i e s , S r i L a n k a , ( 1 9 9 1 ) 
8 8 
G i e d o n S i g f r i e d , Space Time and Architecture, H a r v a r d 
U n i v e r s i t y P r e s s , USA, ( 1 9 6 7 ) 
G o l d s t e i n J o s e p h , The Experience of Insight, B u d d h i s t 
P u b l i c a t i o n S o c i e t y , S r i L a n k a , ( 1 9 8 5 ) 
G u i d o n i E n r i c o , Primitive Architecture, H a r r y Abrams I n c . , 
USA, ( 1 9 3 9 ) 
G u i t o n J . , ( t r a n s , b y M a r g a r e t G u i t o n ) , Ideas of he Corbusier, 
G e o r g e B r a z i l l e r I n c . , U S A , ( 1 9 8 1 ) 
H a k i m B . S . , Arabic-Islamic Cities, R o u t l e d g e a n d K e g a n P a u l 
I n c . , UK, ( 1 9 8 6 ) 
H a r b i s o n R o b e r t , The Built the Unbuilt and the Unbuildable, 
T h a m e s a n d H u d s o n , ( 1 9 9 1 ) 
H e i d e g g e r M a r t i n , ( T r a n s , b y A . H o f s t a d f e r ) , Poetry, Language, 
Thought, H a r p e r a n d Row, USA ( 1 9 7 1 ) 
H e i d e g g e r M a r t i n , ( T r a n s . b y M i c h a e l H e i m ) , The Metaphysical 
Foundations of Logic, I n d i a n a U n i v e r s i t y P r e s s , USA, 
( 1 9 8 4 ) 
H u x l e y A l d o u s , The Perennial Philosophy, F o n t a n a B o o k s , 
UK, ( 1 9 6 1 ) 
J e n k s C h a r l e s & B a i r d G e o r g e ( e d . ) , Meaning in Architecture, 
The C r e s s e t P r e s s , UK, ( 1 9 6 9 ) 
J u n g C . G . ( T r a n s , b y R . F . C . H u l l ) Four Archetypes, R o u t l e d g e 
a n d K e g a n P a u l , UK, ( 1 9 7 2 ) 
J u n g C . G , e t . a l , Man and his Symbols, A l d u s B o o k s L t d . , 
( 1 9 6 4 ) 
Kahn L l o y d , ( e d . ) , Shelter, S h e l t e r P u b l i c a t i o n s I n c . , U S A 
( 1 9 9 0 ) 
K r i e r R o b , Architectural Composition, A c a d e m y G r o u p , UK, 
( 1 9 9 1 ) 
L a n g J o n , e t . a l , D e s i g n i n g for Human Behaviour, Dowder 
H u t c h i n g s o n & B r o s . I n c . , USA, ( 1 9 7 9) 
L a n g e r S u s a n n e K . , Feeling and Form, R o u t l e d g e & K e g a n P a u l 
I n c . , UK, ( 1 9 5 3 ) 
Le C o r b u s i e r , ( T r a n s , b y F . E t c h e l l s ) , The City of Tomorrow, 
A r c h i t e c t u r a l P r e s s , UK, ( 1 9 7 8 ) 
8 9 
L e t h a b y W . R . , Architecture, Nature and Magic, G e r a l d 
D u c k w o r t h S C o . L t d . , UK, ( 1 9 6 5 ) 
L y n c h K e v i n , The Image of the City, M . I . T . P r e s s , USA, ( 1 9 6 0 ) 
Mead M . , Cultural Patterns and Technical changes, The New 
A m e r i c a n L i b r a r y , U S A , ( 1 9 6 1 ) 
N o r b e r g - S c h u l z C h r i s t i a n , Existence, Space and Architecture, 
S t u d i o V i s t a , UK, ( 1 9 7 1 ) 
N o r b e r g - S c h u l z C h r i s t i a n , Genius Loci, R i z z o l i 
I n t e r n a t i o n a l , USA, ( 1 9 8 0 ) 
O a k l e y D a v i d , The Phenomenon of Architecture of Cultures 
in Change, P e r g a m o n P r e s s , ( 1 9 7 0 ) 
O l i v e r P a u l , Dwelling: The House Across the World, P h a i d o n 
P r e s s L t d . , UK, ( 1 9 8 7 ) 
O l i v e r P a u l , Shelter, Sign and Symbol, B a r r i e s J e n k i n s 
L t d . , UK, ( 1 9 7 5 ) 
R a s m u s s e n S t e e n E i l e r , Experiencing Architecture, Chapman 
& H a l l L t d . , UK, ( 1 9 6 4 ) 
R e l p h E d w a r d , Place and Placelessness, P i o n L t d . , UK, ( 1 9 7 6 ) 
R o b e r t s o n H o w a r d , The Principles of Architectural 
Composition, The A r c h i t e c t u r a l P r e s s , UK, ( 1 9 5 5 ) 
Rowe C o l l i n , The Architecture of Good Intentions, A c a d e m y 
E d i t i o n s , UK, ( 1 9 9 4 ) 
R u d o s f s k y B , , Architecture without Architects, D o u b l e d a ^ 7 
USA, ( 1 9 6 9 ) 
S h e p h e r d P a u l , What is Architecture?, The M . I . T . P r e s s , 
UK, ( 1 9 9 4 ) 
S t r e e t - P o r t e r T i m , Casa Mexicana, S t e w a r t , T a b o r i & C h a n g 
I n c . , USA ( 1 9 9 4 ) 
Tuan Y . , Space and Place, U n i v e r s i t y o f M i n n e s o t a , USA, 
( 1 9 7 7 ) 
The New Encyclopaedia Britannica, W i l l i a m B e n t o n P u b l i s h e r , 
UK, ( 1 9 7 3 ) 
V e n t u r i R o b e r t , Complexity and Contradiction in 
Architecture, The A r c h i t e c t u r a l P r e s s , ( 1 9 7 7 ) 
Z e v i B r u n o , Architecture as Space, H o r i z o n P r e s s , U S A , ( 1 9 5 9 ) 
7 
90 
JOURNALS 
f 
The A r c h i t e c t u r a l R e v i e w , v o l . CXCIV N o . 1 1 6 6 , A p r i l 1 9 9 4 
T h e S r i Lanka A r c h i t e c t , v o l . 1 0 0 N o . 4 , 1 9 8 8 
The S r i L a n k a A r c h i t e c t , v o l . 1 0 0 N o . 5 , 1 9 8 9 
The S r i L a n k a A r c h i t e c t , v o l . 1 0 0 N o . 6 , 1 9 9 0 
The S r i L a n k a A r c h i t e c t , v o l . 1 0 0 N o . 7 , 1 9 9 1